Wednesday, November 27, 2019

SUSAN GLASPELL’S TRIFLES an Example of the Topic Arts Essays by

SUSAN GLASPELL’S TRIFLES It was said that the settings for the plays generates certain impact for the audience or reader. It usually brings out the necessary highlights that are needed to be brought up. The issues or conflicts in the play could easily be identified given a good setting for a play. The ambiance or the mood of the play could establish the right reactions from the audience or readers. In this particular essay, the play that is about to be scrutinized is the one that was written by Susan Glaspell. "Trifles' was written on the year 1916. It is highly essential to note this particular year given that the issue that would be raised in this paper concerns the setting of the play. But what is a setting? It could be seen that the setting, concerning a play, means that it is the time, place, and circumstances in which a narrative, drama, or film takes place. ("Settings") or it is The context and environment in which a situation is set; the background. ("Settings") I firmly assert then that the setting of a play could reflect the meaning of the play. Need essay sample on "SUSAN GLASPELLS TRIFLES" topic? We will write a custom essay sample specifically for you Proceed The setting put up by Glaspell in "Trifles' then would be a good indication for the interpretation that a reader or audience might have. The setting could bring out the meaning for the plays due to two things. Firstly, it could generate the basic information to create the basic interpretation of the play. It would seem that the setting in the said play could bring out the feministic issues of the author or writer. The setting also brought about the moralistic issue that the author or writer had left for the speculation of the audience or reader. Lastly, the concurrence is also due to the reason that the setting provides the aesthetic and symbolic outlook to further assert the meaning and the interpretation that could be found in the play. How would a setting affects the entirety of the play depends on how the audience or reader would view the play itself. Interpretations of the play then are a necessary action that could generate the meaning of the play. In this sense, the setting could then provide a tableau for the basic interpretations that the audience or reader would have. It becomes very basic since it could provide a hint on the gravity of the issues or conflict that might occur. It could be inferred then that the basic conflict that could be found in the play is the dichotomy between the male and female sexes. The year 1916 may not be the year for the height of feministic ideals but the play had created a certain hint on the views of women in Glaspell's time. The timeframe of the play was one where the male species dominate the scene of society. It could be concluded then that the internal battles of the two women in the play could have a direct connection to the societal framework that they are in. The implications are there particularly when the male dialogues pertain to how they view the inferiority of the female species. The undeniably prejudiced remark could be found especially when it came to the "trifles' that the women are concerned. The kitchen setting could also provide a situation where this has become the symbol of the women's domain. The main scene in the play revolves around the kitchen. The women being known to be at-home to the kitchen was not touched by the law enforcer in the decision that the kitchen would have nothing to do with the crime scene. Surely, the law enforcer has disregarded the area due to the reasons that he would not dare to touch the women's domain and that he had underestimated the power that the women could have. The setting then played a major role in creating the basic interpretations n eeded by the audience or reader to understand the conflict and to know the meaning of the play. Another issue that could be raised here then is the moralistic implication that the play has. The issue on whether or not the women should have told their secret to the men is a clear indication that what was in the mind of the women were beyond moralistic. It had become the silent battle cry that they have against the domineering male species. Although, in real instances this would be unforgivable but the play was banking on the fantastical implications on what women could really do. The cleverness that was displayed in the kitchen was a way for Glaspell to say that women could be respected especially when they too have intellectual capacities. The setting helped then for the audience or readers to realize such implication. Another reason that the setting could bring out the meaning of the play is that the setting have certain aesthetic and symbolic value for the people. The aesthetic and symbolic value of the play could highlight the things that could be highlighted. Take for example the kitchen area of the play. It was necessary that some of the things there should be left cluttered. It could only heighten the sense of distress that Mrs. Wright had been feeling. It was a well-known fact that women stayed in the house to look after the household matters and a cluttered kitchen would symbolically mean that the disturbance in the household is quite obvious. Since the men had no idea on how the female mind works, they have dismissed it to poor implementation of chores. It would not be unusual that the revelation of the meaning behind this were only coming from the women in the play. Let it be noted then that the scene where the men were teasing the women about the trifle they were making over an unfinishe d quilt. They believed this to be a trifle but little did they know that the implication of the dialogues and the quilt itself is and evidence that could solve the mystery. In conclusive remarks, the setting could provide the readers or audience ample information in generating the meaning of the play. The setting could provide the basic information that is necessary for the basic interpretations of the play. With these basic interpretations the audience or reader could pinpoint the meaning behind the play. Another reason for the importance of the setting is the aesthetic and symbolic value that it could provide to further understand what the author or writer would want his/her reader to understand about the play. Works Cited "Settings". 2003. The American Heritage Dictionary of the English Language Fourth Edition (August 21, 2007). http://www.thefreedictionary.com/settings .

Sunday, November 24, 2019

Comparative Study Between Frank Lloyd Wright and Japanese Architecture Essay Example

Comparative Study Between Frank Lloyd Wright and Japanese Architecture Essay Example Comparative Study Between Frank Lloyd Wright and Japanese Architecture Paper Comparative Study Between Frank Lloyd Wright and Japanese Architecture Paper Architecture reflects mankinds artlstlc and engineering achievements. A bulldlng may merely be used to house people or property, but It represents the designs and structural marvels of that specific period. As we move from one architectural period to another, we find Individuals who have contributed greatly to their respective architectural periods and left their mark on the growing world of art and architecture. Frank Lloyd Wright is one such individual who has changed the way we look at homes and buildings today. He is considered by many as the greatest architect in American history. He as built pieces of architecture that is marvelled by artists and aspiring architects today. Americas premier architect, Frank Lloyd Wright was born in the Richland Center, Wisconsin on June 8, 1867. Anna Lloyd Jones Wright, his mother was the driving force that helped him become the architect that people remember today. She believed it was in his destiny to become an architect and her responsibility in helping him fulfil it. He attended college at the university of Wisconsin in 1884. He was determined to be an architect. Even though the university didnt offer architecture, he stayed there and attended engineering classes. This is where he got some architectural experience from doing construction on the college. Later in 1887 he worked for the firm of Adler and Sullivan. Wrights first constructions were homes. Frank mastered the art of making the house blend with its surroundings, as it were grown from the ground. He achieved this by adding objects on to the house, which made it fit its natural environment. Frank Lloyd Wright was greatly influenced by Japanese architecture. It was the Colombian Fair in 1873 where he was first introduced and became fascinated with Japanese culture. A Japanese Pavilion, Ho-o-den which was exhibited at the fair proved to be Instrumental In Wrights fascination of Japanese architecture, as It was the first time; he was able to explore Asia and Asian culture without physically having to travel there. Wright was a big collector of Japanese prints and textiles and the Influence of Japanese design and architecture made him visit Japan In February 1905. Austere methods of onstruction, lightweight materials and porous boundaries between Inside and outside are all hallmarks of traditional Japanese architecture. The western architects bullt houses and buildings that could withstand harsh forces of nature. They used strong and heavy materials which overpower nature and help them make the tall and monumental building we so admire today. The Japanese on the other hand, bullt with nature. They used wood as a building material which went in harmony with the surroundings and embraced nature. To this day we can still see some of Japans oldest buildings and temples standing in wood. In Western architecture we often see spires and other vertical features which signify Gods omnipotent power over all things. Japanese temples and shrines comprised the horizontal and were petit which were built to be part of nature rather than stand out like their western counterparts. Minimalist design was encouraged by architects of Japan. Contrary to the Western architects who have traditionally tried to make to make their buildings interesting to look at by adding unnecessary decorations and arranging modules of differing heights, Japanese architects focused on making their structures sublime and mysterious on a horizontal level. When it comes to Japanese architecture you start with one room and put a great amount of effort to get that right before moving on to the next room. Japans less popular and smaller buildings and temples caught Wrights attention. The horizontal layouts of Japanese buildings fascinated Wright, as it showed him the principles of simplicity, monumentality, and horizontality. These would become the building blocks of his architectural style. The foundations and framework of the Japanese buildings influenced Frank Lloyd Wright. The Japanese idea of buildings not being frozen in a specific time or place inspired Wright and was eflected in many of his works. This was different from the Western mentality towards preservation and reformation. The Westerners built a building that is defined by the specific historical moment from which it was produced. Wright saw the Japanese as not having the same sense of attachment, as they regarded a building being in a continuous state of change. Japanese believed that a building could be renovated and reconstructed a number of times and remain the same, only its phase changed. The greenery of Japan, as well as Japanese tea gardens influenced Wright during his trip to Japan. Wright He implemented this concept in his architectural designs where he aimed at creating a sense of continuity between the interior and exterior elements of a house and garden. He had an idea that nature like architecture could be simplified to its basic geometric elements of line and shape. (Riccardo Cardilli, 2010) Between the eighth and twelfth century, Japan was under the Heian Reign. During this time shinden-zukuri was a popular type of architecture. Its is a Japanese style of architecture independent of and Chinese inspirations. The layout comprised a central sleeping room known as shinden, three pavilions known as tai no ya with djoining verandas known as Wataridono, and two long corridors called Ro. This traditional Japanese style was depicted in many of Wrights architectural marvels. Frank Lloyd Wright was responsible for the start of Usonia Homes. These include a planned community in the Town of Mount Pleasant which is adjacent to the village of Pleasantville, New York. The entire layout and design of the homes were under Wrights responsibility. Three homes out of the forty seven that were part of the project were designed by Wright, while the rest were done by architects: Paul Schweikher, Theodore Dixon Bower, Ulrich Franzen, KaneJi Domoto, Aaron Resnick nd David Henken who was Wrights apprentice. Wright planned the layout of the neighbourhood in such a way that it would follow a circular pattern, which helped conserve majority of trees in the vicinity and encouraging the flow of the land. The homes were themed with Wrights organic philosophy of style. Usonia was the name given to the community in homage to Wright and his goal of the togetherness of Americans. The community characterised of narrow roads which gracefully twisted and chicaned, birds sitting on windowsills, antlers roaming and maple trees in abundance. Nature dominated the community as sixty percent was forest and eadow. The houses embraced nature and nestled into its surroundings, as naturally as the tresses and grass around it. Wrights more popular and grand homes appeared to have a variety of Japanese qualities. However, the Usonian home was where the true Japanese architectural philosophies could be found. The homes Oapanese and Usonian homes) which initially appear very different, in reality are very similar when it comes to conceptualization and implementation. These similarities are characterised by four features that make them relatives. First, the entryw ay stands out to enhance the experiential quality of the home. Secondly, the houses use nature as an ingredient to building, connecting the inside of the home to its surroundings. Thirdly, the basic structure of the two types of houses includes a fondness for open and contempt towards the common box shape of the house. Finally, aesthetic simplicity is a feature that can be seen in both houses. Within each category as well, the implementations of these concepts produce equivalent structural qualities in both the Usonian and Japanese house. (Alexandra Black, 2000) Frank Lloyd Wright house Zimmerman House Manchester URL: e-architect. co. uk/boston/new_england_buildings. htm Japanese ouses are popular for having a foyer at the entrance. This is where the visitors removed their shoes before entering the actual house. This helped in the transition from the outside to the inside of the house. We see in the Wright homes a foyer is also included. The foyer is mainly used to welcome the visitor and also serve as protection from the outside dust and other elements. It also helped in providing an enlarged effect that Wright was so famous for. As the visitor enters, the ceilings are raised which makes the actual space look open and grand. Both Wright and the Japanese believed that a house should embrace its surrounding. It should not be a division between the inhabitants and the surroundings but on the other hand entice them to feel the nature around them. experience it more deeply. The Usonian and Japanese homes achieved this by using nature as a decoration of the house and making it a vital contributor to the houses beauty. Gardens were popular among the houses and played an important role to bring harmony between the interior and exterior. The walls, windows, lighting, and materials also were used to reveal the beauty of nature. Living Area of an Usonian House and Japanese House and nature URL: http:// www. galenfrysinger. com/iowa_cedar_rock. tm URL: onelife]apan. com/tours/thatch_roof_volunteer. html Japanese houses had natural lighting and were commonly illuminated by candles. Wright could not stick to this concept in America for the Usonian homes. He managed to use lighting as subtly as possible. Large panels of open glass and windows were uses whenever possible. The fireplace also provided light and heat during evenings. After sunset, Wright used smaller, soft lighting sources that were placed within the houses structural lines. These light sources were hidden and intended to reflect off of the ceilings and walls to provide a subtle sunlight effect. Some might question Wrights direct connection with Japanese architectural elements. However, it is certain that he adopted Japanese theories to aid his architectural brilliance, which is seen clearly in the comparisons between the Usonian Houses and Japanese homes. The Usonian house symbolises a reincarnation of the Japanese home which is for a modern everyday human being. Whether the Japanese influence was intentional or not, Wright has shown through his works that traditional Japanese theories of architecture pertain to today demand and livelihood to provide a house that is organic and affordable. Pfeiffer, 1918) The world is growing and diverse cultures are being exposed to wider reaches of the globe. Traditional Japanese homes would be a myth in North America. However, the ideas that are instilled in Japanese homes and the Usonian houses of the 1900s have inspired simple, elegant, organic, inexpensive architecture today. An architect must not dwell on past building designs and, but to implement the principles that has been carried on from the past and provide the world with appropriate architectural products for the present. The Japanese were pioneers at this and so was Frank Lloyd Wright who inspires aspiring and xperienced architect of today to do the same.

Thursday, November 21, 2019

Entertainment Essay Example | Topics and Well Written Essays - 500 words

Entertainment - Essay Example Disney Company distributes the entertainment into five segments such as media segment, parks and resorts, the company studios, consumer products, and Disney interactive. All the sections are sources of income maximizing the economic value of the company’s products promoting its growth internationally. Disney is company major sources of revenue are from its various segments increasing the economic value of its products. Its managers also expand the company’s international presence to gather more fame marketing the company to boost it sales expanding the revenue. For example in the year 2010, most of the company’s revenue came from abroad with America and Canada producing 25.7%. The Disney film company incurs significant and advertising cost before and thought theatrical film release. The cost is spent the advertisement to generate publicity and the customer’s interest in the subsequent home entertainment market. The company spend also in the paying tax and other production and maintenance services like electricity bill. Universal pictures create and distribute theatrical and non-theatrical film entertainment. Theoretical slate includes film developed internationally along with co-productions, acquisition and film development by outside partners and distributed by the studio. The company internationally produces, acquire and distribute direct-to-DVD titles, classic titles from the library, and the consumer products. The company exhaust most of its finances to expand its subsidiaries internationally to increase its global prominence as the film industry of the generation. The universal company influences the advertisement industry to transform the network transition of the company conglomerates. It enhances the production techniques of the company by using sophisticated information technology methods to produce the films (Chris 45). The company get its revenue from the distribution of